NOTE: This is a really long and ridiculously over-pictured post. If you already know how to do counted canvas work, please humor me for a day and go do something else while muttering to yourself about what a boob I am. If you don't know how to do it and would like to read some really amateur blatherings about it, then by all means, proceed.
I have received several questions about counted canvas and how one transitions from cross stitch. Now I know that there are probably a bazillion stitchers out there who are better qualified to do this, but I thought I would post some really quick notes about it. If you want more detailed information, please send me your email address and I'll be happy to assist or at least point you in a more-qualified direction.
First let me say that some counted canvas is actually easy and very satisfying! (In other words, if I can do it, anybody can do it). If you can read a counted cross stitch chart (or just read, in general), then you shouldn't have any problems figuring it out. Most designers' charts are quite excellent, and my experience has been that if you get totally stumped on something there is usually somebody out there who can guide you through.
The best place to start (as it usually is), is with your materials. Canvas work is usually done on mono canvas, which is different than interlock canvas, penelope canvas, and plastic canvas. It comes in various counts, but for most of the counted canvas pieces that I've done, 18ct. canvas has been called for. Mono canvas also comes in various colors and is also available with a "marbleized" effect, which is really pretty if a lot of the canvas shows through the stitching. I'm sure there are several manufacturers out there, but I have always used Zweigart mono canvas since that is what my LNS sells.
(You can also do canvas work on Congress cloth, which for me is kind of a "canvas lite". IMHO, it's the mid-point between mono canvas and linen.)
(Come to think of it, you could probably do canvas work on evenweave linen, but then it wouldn't be called canvas work, now, would it?)
Artist's tape has been a life-saver for me. I know that you can also apply a fabric border to the canvas with a machine, but I'm not allowed to use machinery without adult supervision and Aunt Chrissy can't exactly run over here every ten minutes to make sure I don't break the sewing machine (yet again). You can also use masking tape, but I will tell you that it does eventually yellow and break down over time (trust me on this). Artist's tape can be found at art supply stores, or you can check out Janet Perry's new online shop. Methinks this is an excellent resource (and it's brand new! Woo Hoo!). (You might also want to bookmark her blog, since she really IS qualified to tell you all about needlepoint, and I'm just faking it:
http://www.nuts-about-needlepoint.com/.)
Once you've edged your canvas with tape (or fabric), you'll want to mount it to stretcher bars. I know that some people prefer to work in-hand, but I think canvas work is much much easier if you've stretched your canvas tightly onto stretcher bars. Don't worry...these suckers are relatively inexpensive and they ARE re-usable, even if I insist on buying sets of them every time I turn around. (The stretcher bars are the wood thingies in the pic that form the frame.)
Mounting the canvas to the stretcher bars should be done as tightly as possible, and you should use specialty brass tacks. (The red handled thingies in the pic are tools that you can use to push the tacks in without smooshing your thumbs and fingers. Technical term: smoosh.) Again, you can find these on Janet's site, and you can also purchase them at your LNS or craft store. I think the most important thing you want in a tack is a non-rust coating or material. I suppose if you're a really fast stitcher and your piece will only be on the stretcher bars for ten minutes you'd be OK with any old tacks, but I'm slow and need to make sure I won't end up with rusty edges by the time I'm finished.
You'll need to mark the center of your canvas, and you can do this either before or after it's mounted. I know that I am supposed to do it before, but I always forget. Mark the center with a lovely little pin or pencil mark and you're ready to go!
When I wanted to learn how to do counted canvas, my LNS owner suggested Laura J. Perin's American Quilt Series. This was an excellent choice for me, since I was able to read the charts very easily and I could play around with colors without getting myself too confused. Laura usually starts the piece with a variegated cotton (like Watercolors), and then adds solid color perle cottons as compliments. Finally, she usually has a metallic of some sort to add a little sparkle to the design.
The most important thing I can tell you about counted canvas work is to READ THE DIRECTIONS! The designer included them for a reason, and in Laura's case, she even tells you the order in which to stitch so that you'll get good results. If you're one of these people who can assemble an Ikea bookcase without even glancing at the instructions, then bully for you. If you're like me, however, and need a little stitchy angel guide sitting on your shoulder, then take a few minutes to read read read. You'll really be better off. Trust me.
Reading a counted canvas chart is not very difficult once you get the hang of it. Just remember that the chart is representative of the actual canvas. If a line ends in the middle of a box, that represents a thread going into a hole in the canvas. And if you're wise enough to purchase a color printed chart, you shouldn't have any problems deciphering the designer's thread suggestions. (If you change colors, you might actually want to write those on the chart instead of forgetting to do this and then sitting in the Happy Chair for ten minutes wondering what the hell you did.)
That's it! Stitch away to your heart's content!
If you're like me and you want toys, buy yourself some lovely magnets to hold your needles. (I always put my magnet on the upper right of the canvas so that I know which way is top, but you could certainly write the word TOP on the top if that's the way you roll). You might also want to invest in some extra scissors for canvas work, especially if you're going to use metallic threads. I bought a cheapie pair and then put an "M" on the blade with a Sharpie so that I would know those are my metallic scissors and I don't ruin my fancy pants scissors by cutting things I shouldn't cut with them.
I hope that this was a little helpful to you if you're interested in trying a counted canvas piece. If you made it all the way through this and are still saying "Huh?", then send me a note and I'll try to help.
Thanks, as always, for all of your comments and questions and suggestions. When I sit down to write this silly blog each day I feel like I'm sitting at the kitchen table with a cup of tea...chatting with my bestest stitchy pals, so thanks for indulging me! Woo Hoo!
Here are some resources that I use for all of my counted canvas (and other stitchy) needs. If you have a LNS, then by all means, please support them! (And pass along their info so that we can all spread the love).
Laura J. Perin:
http://www.laurajperindesigns.tripod.comNordic Needle:
http://www.nordicneedle.comHomestead NeedleArts:
http://www.homesteadneedlearts.comTomorrow's Heirlooms:
http://www.tomheir.comNeedle Delights:
http://www.needledelights.comNeedle Nest: (574) 255-1805
City Stitcher: (312) 664-5499
*Jump the shark, you say? OK, hearken back to "Happy Days" and remember the episode when Fonzie takes on the dare to jump his motorbike over a pool with a shark in it. I wish I could tell you exactly how that's relevant to this discussion, but I wanted to pretend that I actually know stuff and could share some obscure pop culture reference and you'd think me to be a genius. So there.
She decided to work on "Cherry Cordial", which is a counted piece done on congress cloth (it's the pink one in the middle), but the whole R.D., Jr. thing was just too much for her pea-sized intellect to handle. I think she stitched and then ripped out a section at least seven times before putting it away.
This is Jennifer Pudney's "Tall Poppies", a little kit that I purchased all the way back in 2006 for my birthday trip. This was the oldest WIP in my pile, so I'm really tickled to get it finished and off the list! Sorry for the craptastic photo, but it's dark and I don't know how to use my damn camera. *
Aren't they pretty? I've really been enjoying them as I snooze on my perch. Methinks sunflowers are the prettiest things I've ever seen. I know Mom likes her daisies and all, but these suckers have really captured my attention.
The smell of them gives me the sneezles, and Mom says that the front walkway looks like a funeral parlor, but I think they're just lovely.
Can you see him there? He's kind of tucked in behind that creepy rock that Mom keeps on the front porch. The thing behind him is actually a piece of garden mulch, and NOT a huge piece of frog poo. (I was pretty impressed until I realized what it was.
Everything sealed properly, but Mom didn't use enough pectin. So instead of the stuff being nice and thick (and spreadable on some toast), it was more like cherry flavored water. Hopefully, they'll get it right tonight and I'll have preserves this winter for my afternoon tea and scones!
Isn't it just the coolest? I was sooooo excited when Mom showed it to me that I thought my tail would wag off. And it's so soft too! Mom said that she felt really bad that I fell down, so she thought this would cheer me up.
I suppose that this would be a good place to reveal my obsession with those mesh project bags. I'm pretty sure that Aunt Chrissy and I have enough of them to build a rather large flotation device, or perhaps we could landscape a small city with them? Either way, we were buying them like rabbits until we gently reminded ourselves that they are, in fact, reusable. Uh, duh.
Stewey has decided that the best way to spend his summer is napping in a little patch of sunshine, so I'll leave you with my Annie Liebowitz-ish contribution of the day:
